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                        <loc>https://mollymorulane.com/about</loc>
            
            
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                        <loc>https://mollymorulane.com/curatorplug</loc>
            
            
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                                            <image:caption>Set in a coastal fishing village, the film follows a fisherman’s journey as he seeks to understand his father’s death — a journey that reconnects him with the cultural and spiritual traditions of Afro‑Brazilian religion (notably Candomblé) and the mystical bond between the community and the sea. &lt;br /&gt;
&lt;br /&gt;“Égun” stands out for its evocative animation — simple yet emotionally powerful — its thoughtful soundtrack, and its sensitive treatment of loss, identity and ancestral memory. &lt;br /&gt;

&lt;br /&gt;Because of its strong aesthetic, emotional depth and cultural resonance, Égun deserves to be highlighted — and that is exactly why it’s the latest feature on Curatorplug: it represents the kind of meaningful, artful cinema that curator platforms seek to bring to broader attention.</image:caption>
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                        <loc>https://mollymorulane.com/playlistsbymolly</loc>
            
            
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                        <loc>https://mollymorulane.com/visual-playground</loc>
            
            
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                        <loc>https://mollymorulane.com/girls-in-marketing</loc>
            
            
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                        <loc>https://mollymorulane.com/oracle-cloud-infrastructure</loc>
            
            
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            <url>
                        <loc>https://mollymorulane.com/journal-essay-research</loc>
            
            
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                                            <image:caption>&lt;b&gt;&lt;u&gt;&lt;br /&gt;
Part 1: Written essay&lt;br /&gt;
&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;
My research discussion is centred on providing a critical overview of the main aims,
objectives, concepts, ideas and approaches of Environmental Humanities (see Holm and
Brennan 2018; Holm et al 2015; O’Gorman et al 2019; Palsson et al 2013; Steffen et al 2011).
&lt;br /&gt;

&lt;br /&gt;&lt;br /&gt;
&lt;b&gt;&lt;u&gt;Part 2: Photo-essay&lt;br /&gt;
&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;
Through the use of a photo essay, my objective is to &lt;u&gt;outline&lt;/u&gt; visual and expressive way of constructing philosophical
insight, as well as how they offer a means to visualise academic insights in experimental and
experiential ways. &lt;br /&gt;
&lt;br /&gt;
Using three photographs of environmental concern(s) or problem(s) in Southern Africa’s 
environment (pollution, biodiversity loss, veld fires, drought, recycling).</image:caption>
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                                            <image:caption>&lt;b&gt;&lt;u&gt;&lt;br /&gt;
Part 1: Written essay&lt;br /&gt;
&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;
Through Carson (1962), Whitehouse (2015), Kolbert (2014) and Nixon (2011), the basis of my research is to &lt;u&gt;Identify&lt;/u&gt; how
disappearing ecosystems and dwindling biodiversity may be regarded as a form of
slow violence.
&lt;br /&gt;&lt;br /&gt;
&lt;b&gt;&lt;u&gt;Part 2: Photo-essay&lt;br /&gt;
&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;
This is a photo essay of three photographs based on Rob
Nixon’s notion of ‘slow violence’.
Nixon (2011:3) argues that a major problem in raising awareness of slow
violence is representational: “how to devise arresting stories, images, and
symbols adequate to the pervasive but elusive violence of delayed effects”.&lt;br /&gt;
&lt;br /&gt;
Through this photo essay, I seek to &lt;u&gt;Identify&lt;/u&gt; an environmental concern(s) that can be regarded as a form of ‘slow
violence’.  With great concern about what images, narrative and symbols to
increase the public’s awareness of your chosen environmental concern.
&lt;br /&gt;&lt;br /&gt;
</image:caption>
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        </url>
            <url>
                        <loc>https://mollymorulane.com/other-projects</loc>
            
            
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                        <loc>https://mollymorulane.com/publication-work</loc>
            
            
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                                            <image:caption>Burning Down the House is a collection of anarchic essays written by a new
generation of everyday thinkers, activists and scholars who are figuring out their
relationship to feminism. It is a radical appraisal of the home and a call to critically
rethink the mechanisms that govern the ‘private’. It is essential reading for anyone
interested in the home as decolonial space.&lt;br /&gt;</image:caption>
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                                            <image:caption>In this feature article, I sat down with Johannesburg-based artist K!NO for an in-depth conversation exploring her creative journey, influences, and rise in the South African music scene. As the interviewer and writer, I curated a thoughtful and engaging dialogue that offers readers a glimpse into the mind of an rising talent.</image:caption>
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                                            <image:caption>Burning Down the House is a collection of anarchic essays written by a new
generation of everyday thinkers, activists and scholars who are figuring out their
relationship to feminism. It is a radical appraisal of the home and a call to critically
rethink the mechanisms that govern the ‘private’. It is essential reading for anyone
interested in the home as decolonial space.&lt;br /&gt;</image:caption>
                                    </image:image>
            
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                        <loc>https://mollymorulane.com/services</loc>
            
            
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                        <loc>https://mollymorulane.com/new-materialism-catagolue</loc>
            
            
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